F-PLUS is a violin, clarinet, and percussion trio committed to collaborating with today's most exciting composers to establish a diverse repertoire for their unique instrumentation. Formed in 2016 at the Bang on a Can Summer Festival, the ensemble has commissioned over 20 new works and has performed all over the country, from Carnegie Hall's Weill Recital Hall in New York to the Art Institute of Chicago and the New Music Gathering in Boston. The 2019-2020 season includes performances in Chicago, IL at Constellation, Detroit, MI at the Great Lakes Chamber Music Festival, and St. Louis, MO at the Mildred Lane Kemper Art Museum. F-PLUS is committed to working with the next generation of composers, and has held residencies at the Cincinnati College-Conservatory of Music, University of Texas-Austin, University of North Carolina-Greensboro, and Grand Valley State, Central Michigan, Stony Brook, Duke, and Illinois State Universities.
Hailed by Musical America for her “deliciously meaty” tone, violinist KATE DREYFUSS is an adventurous performer of classical and contemporary music. Based in New York and active throughout the United States, she is known for her “uncompromising commitment” and “fearless approach” (Cacophony Magazine) to performance.
A staunch advocate for the music of our time, Dreyfuss was a guest violinist with the quartet ETHEL during the 2018-19 season, and performed all four of Julia Wolfe’s string quartets with the ensemble at The Jewish Museum in New York City. Since 2014, she has premiered over 70 new works, and has collaborated closely with such composers as Matthew Barnson, Shih-Hui Chen, Andreia Pinto Correia, Donnacha Dennehy, Perry Goldstein, John Harbison, Takuma Itoh, Missy Mazzoli, Sarah Kirkland Snider, Dan Trueman, and Julia Wolfe.
Dreyfuss is a founding member of the violin-clarinet-percussion trio F-PLUS, a core member of the large ensemble Contemporaneous, and a frequent guest with the Boston-based ensemble Hub New Music.
Dreyfuss has shared the stage with such renowned artists as Colin Carr, members of the Emerson String Quartet, and the Bang on a Can All-Stars, and has held fellowships at the Bowdoin International Music Festival and the Bang on a Can Summer Festival. She has also appeared at the Great Lakes Chamber Music Festival with F-PLUS, where the trio has been mentored by the Emerson String Quartet and Eighth Blackbird as part of the festival’s Shouse Institute for young, emerging chamber ensembles. Highlights of the 2019-20 season include a residency at Duke University, premieres of new works by Jessie Montgomery and Charles Peck in Princeton, NJ and Chicago, IL with F-PLUS, and a performance of the Debussy Violin Sonata and Schumann Piano Quintet on the Musica Reginae series in Queens, NY.
Dreyfuss is a Doctor of Musical Arts candidate at Stony Brook University, where she studies with Jennifer Frautschi and Arnaud Sussmann. She previously completed her Master of Music degree at Stony Brook, and earned her Bachelor of Arts in French literature, with honors, at Princeton University. Previous teachers include Elizabeth Chang and Louise Behrend at the Pre-College division of The Juilliard School, and Ryan Meehan of the Calidore String Quartet. For more information, please visit www.katedreyfuss.com.
Born in Canada and raised in Michigan, JOSH GRAHAM is a percussionist based in Chicago, IL. He has premiered dozens of new works for percussion, including pieces by Timo Andres, Matthew Barnson, Dave Hollinden, Lera Auerbach, Thomas Kotcheff, Sean Calhoun, Aaron Holloway-Nahum, and Katherine Pukinskis, among many others.
Recent performances have brought him to Carnegie Hall, the Art Institute of Chicago, , Constellation, the Milwaukee Museum of Art, the Detroit Institute of Art, and universities throughout the country include the Eastman School of Music, the Cincinnati Conservatory, the University of Texas at Austin, Stony Brook University, and Duke University, among others. As a soloist, Josh has performed with the Aspen Contemporary Ensemble, the University of Michigan Percussion Ensemble, the Lawrence North High School Percussion Ensemble (Indianapolis), at the International Computer Music Conference, the Society of Composers, Inc. Conference, and as a recitalist presented by the Mackinac Arts Council and at universities throughout the country. Josh has performed with groups and artists such as Detroit Chamber Winds and Strings, soprano Christine Goerke, Ensemble Dal Niente, Lakeshore Rush,and To Hit, as well as with members of the Silk Road Ensemble, Detroit Symphony, eighth blackbird, and the Bang on a Can All-Stars.
As a orchestral percussionist and timpanist, Josh has performed with the West Michigan Symphony, Midland Symphony (MI), Michigan Philharmonic, and in the summers is Principal Timpanist with the Blue Lake Festival Orchestra. Festival experience includes the Great Lakes Chamber Music Festival, the Bang on a Can Summer Festival, and two summers as the percussionist with the Aspen Contemporary Ensemble, on a full fellowship as part of the Aspen Music Festival and School. In 2014, Josh performed as soloist with the group on Steve Mackey's "Micro-Concerto."
Josh is committed to serving the next generation as an educator, and has given masterclasses at the University of Wisconsin-Milwaukee, University of Wisconsin-Stevens Point, Grand Valley State University, and Central Michigan University. He currently teaches at Triton College and the Music Institute of Chicago, and in the summers is on the percussion faculty of Blue Lake Fine Arts Camp in West Michigan. He has previously taught courses at Roosevelt University, Northwestern University, and the University of Michigan.
Josh earned his MM from the University of Michigan and his BM from Central Michigan University, and is proud to endorse Vic Firth sticks and mallets, Marimba One instruments, Zildjian Cymbals, and Black Swamp Percussion Instruments
Performances by ANDY HUDSON have been hailed as “a treat for the listener,” and have been praised for “an uncommon singularity of purpose, technical virtuosity, youthful vigor and a mature sensitivity.” Andy has performed at the World Congress of the International Alliance for Women in Music, the New Music Gathering, the College Music Society Conference in Vancouver, and gatherings of the International Clarinet Association’s ‘ClarinetFest’ in Los Angeles, Orlando, Knoxville, and Ostend, Belgium. He has appeared in venues like Carnegie Hall’s ‘Weill Recital Hall’ and Chicago’s ‘Symphony Center,’ and has performed across Switzerland and Germany as a member of the Lucerne Festival Academy Orchestra. Andy has won top honors at the MTNA National Senior Woodwind Competition, the Sewanee Summer Music Festival Concerto Competition, the MTNA Southern Chamber Music Competition, and both the Northwestern University and Columbus State University Concerto Competitions, and received other prizes in the National Collegiate Solo Competition and the Vandoren Emerging Artists Competition. A frequent soloist, Andy has recently performed the concerti of Weber, Daugherty, Mozart, and Zare among others. Several of Andy’s performances have been broadcast on WFMT Chicago.
A noted interpreter of contemporary music, Andy has premiered and commissioned dozens of works to date and has performed with the Chicago Symphony Orchestra on their MusicNOW series, the Grossman Ensemble, Ensemble Dal Niente, and at the Bang on a Can Summer Marathon, the Art Institute of Chicago, and Constellation. Andy is clarinetist and bass clarinetist with Latitude 49, and has recently performed as guest principal clarinet of the North Carolina Opera and the Winston-Salem Symphony, and he has been principal clarinet of the Tennessee Valley Music Festival Orchestra since 2010, where each summer he joins the Artist-Faculty of the TVMF.
Andy is currently Assistant Professor of Clarinet at UNC Greensboro, and he was appointed the North Carolina State Chair for the International Clarinet Association in 2019. He previously held teaching positions at Northwestern University and Lake Forest College. Andy earned his DMA in Clarinet Performance with a Cognate Certification in Music Theory from Northwestern University, where he also earned his MMus. He earned his BM degree from Columbus State University’s Schwob School of Music. His primary teachers have included Steve Cohen, J. Lawrie Bloom, and Lisa Oberlander.